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Post by Jessica on Feb 8, 2010 11:20:43 GMT -5
Hi All! I'm just curious who everyone's favorite poet is? I can never seem to decide on just one and i'm wondering if it's really possible to have one? Let me know your thoughts.
If you do have a favorite, please include a sample or link to his or her work!
Have a great day!
P.S. At the moment, mine is John Keats...but I think it's because I'm preparing for the Poetic Voices Romantics presentation on Thursday!
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Post by cheryl on Feb 8, 2010 18:05:09 GMT -5
i can never decide on just one, either. T.S. Eliot wrote my favorite poem, The Hollow Men, so I'll say him. I like Dylan Thomas, e.e. cummings, and Anne Sexton, and Rumi, too. I like these lines in particular (from The Hollow Men)
Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom
Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long
Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom
For Thine is Life is For Thine is the
This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper
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Post by Jessica on Feb 8, 2010 21:41:52 GMT -5
If you like this ending by TS Elliot then check out the free verse photo on poets.org of this quote. Here's the link:http://www.poets.org/viewmedia.php/prmMID/20715. It's pretty awesome and trust me, you may spend hours looking through all of the photos and reading the quotes. It's my go-to bored online thing to do!
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Post by denise on Apr 11, 2010 15:31:04 GMT -5
Right now it's Charles Simic. I love the simple images he uses for big themes and I love the humor in his poetry.
The White Room
The obvious is difficult To prove. Many prefer The hidden. I did, too. I listened to the trees.
They had a secret Which they were about to Make known to me-- And then didn't.
Summer came. Each tree On my street had its own Scheherazade. My nights Were a part of their wild
Storytelling. We were Entering dark houses, Always more dark houses, Hushed and abandoned.
There was someone with eyes closed On the upper floors. The fear of it, and the wonder, Kept me sleepless.
The truth is bald and cold, Said the woman Who always wore white. She didn't leave her room.
The sun pointed to one or two Things that had survived The long night intact. The simplest things,
Difficult in their obviousness. They made no noise. It was the kind of day People described as "perfect."
Gods disguising themselves As black hairpins, a hand-mirror, A comb with a tooth missing? No! That wasn't it.
Just things as they are, Unblinking, lying mute In that bright light-- And the trees waiting for the night.
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Post by Jessica on Apr 16, 2010 16:54:33 GMT -5
Really love this poem! So glad you shared it and I may use it for our Poem-A-Day email. I agree about the simplicity of images, but i also think that they are strong and memorable.
Thanks for sharing!!
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Post by denise on Apr 23, 2010 19:16:46 GMT -5
This poem by June Jordan stands out for me because of the sounds and flow. I also think her lists are very powerful.
The formatting here isn't the same as the actual poem which you can find on Poets.org
The Taking Back of Miss Valentine Jones, Poem # One
well I wanted to braid my hair bathe and bedeck my self so fine so fully aforethought for your pleasure see: I wanted to travel and read and runaround fantastic into war and peace: I wanted to surf dive fly climb conquer and be conquered THEN I wanted to pickup the phone and find you asking me if I might possibly be alone some night (so I could answer cool as the jewels I would wear on bareskin for you digmedaddy delectation:) "WHEN you comin ova?" But I had to remember to write down margarine on the list and shoepolish and a can of sliced pineapple in casea company and a quarta skim milk cause Teresa's gaining weight and don' nobody groove on that much girl and next I hadta sort for darks and lights before the laundry hit the water which I had to kinda keep an eye on be- cause if the big hose jumps the sink again that Mrs. Thompson gointa come upstairs and brain me with a mop don' smell too nice even though she hang it headfirst out the winda and I had to check on William like to burn hisself to death with fever boy so thin be callin all day "Momma! Sing to me?" "Ma! Am I gone die?" and me not wake enough to sit beside him longer than to wipeaway the sweat or change the sheets/ his shirt and feed him orange juice before I fall out of sleep and Sweet My Jesus ain but one can left and we not thru the afternoon and now you (temporarily) shownup with a thing you says' a poem and you call it "Will The Real Miss Black America Standup?"
guilty po' mouth about duty beauties of my headrag boozeup doozies about never mind cause love is blind
well I can't use it
and the very next bodacious Blackman call me queen because my life ain shit because (in any case) he ain been here to share it with me (dish for dish and do for do and dream for dream) I'm gone scream him out my house be- cause what I wanted was to braid my hair/bathe and bedeck my self so fully be- cause what I wanted was your love not pity be- cause what I wanted was your love your love
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Post by Tabby on Apr 28, 2010 11:05:26 GMT -5
I've never really had a favorite poet, but because of an assignment in my English class, I'm really starting to like Robert Frost. I like his style
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Post by cheryl on Apr 30, 2010 14:06:33 GMT -5
I want to thank Jessica for another chance to get to know the writing circle and enjoy poetry. I'd wanted to share this poem last night at the chap book gathering, so I'll share it now. I always go back to this one--it's comforting, consoling. And it's pretty local, from the late Trinity college professor Hugh Ogden: Lecture on the Tides This is the point when the earth wobbles and the days lengthen and the years have to have days added. The point when the harness that pulls the sea pulls each of us into spring and makes us shudder again when the first red appears, the bleeding that quicker than not becomes green. You will always be here as long as water cuts deeper into soil and the coursing adds to what is left, as long as leaves are drawn out by the tide and buds bleed through bark, even you who are lost will always be here as long as the moon circles into its line with sun and the oceans respond, as long as we are able to find the moment when the winds make the globe waver, as long as the earth corrects itself, as long as pain takes faith in its bud and flowers. --Hugh Ogden, Two Roads and This Spring
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